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F1 Interview: Formula 1 commentator David Coulthard on Lewis Hamilton and McLaren

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David Coulthard, MBE, or DC as he is known to those in his inner circle, finished second to Michael Schumacher in 2001 when the former drove for McLaren. Known for his gutsy driving and entertaining approach to interviews, DC, when he isn’t on TV, can be seen on the podium – where he was fairly often during his driving career — only this time having conversations with drivers. We caught up with the man himself during the Formula 1 Grand Prix in Bahrain as he watched the race with his family.

DC lovely to see you how are you?

DC: I’m walking with a limp actually! I went karting this week (referring to the week of the Bahrain GP) with my son and he (I heard about that! I heard about your comments on his driving) (both laugh) so I pulled a muscle. A good reminder that at 46, I shouldn’t be doing things like that, says with a hearty laugh. It’s good fun to take him out on the track and my wife and he are enjoying the sun here in Bahrain. And between us having a little bit of F1 background noise which is great

What are your predictions for 2017 and the season?

DC: Well I’m enthused by the fact Ferrari are right in the mix; there’s no question that they’re pushing Mercedes hard. I expected Red Bull to be a bit closer given the big regulation change that would normally play to the strengths of creative genes that they have there. But let’s see how they develop throughout the course of the year, but I definitely think that this is going to be an interesting step by step battle of development because Ferrari are essentially one upgrade away from being a match for Mercedes. Likewise, if Mercedes come with a next big step then they can secure the position there so it’s going to be interesting to watch how that development battle goes on.

Still, think Lewis Hamilton is going to quit mid-season?

DC: (laughs) I’m mostly sure about that but it’s great to see the way the battles go there. You know Formula 1, we were falling into a period of predictability in the last couple of years of course with Mercedes dominance. As great as that is, as a technical showcase of Mercedes and what they have done, they equally understand that the whole basis of fans following Formula 1 is the potential to see some really good competition. Ferrari needs to be part of that mix.

You are a Heineken ambassador, along with Sir Jackie Stewart. What’s one of your favourite highlights of being a Heineken ambassador?

DC: Well, I was a fan of the brand before, which makes it very easy to engage in the product. But they’re such a great company that it just makes it a pleasure to work with. They are successful in their own right and have chosen to partner with the Champion’s League for several years. However they’ve also realised that Formula 1 taps into another slightly wider audience in some areas and that’s great for the sport of Formula 1, that’s great for people like myself or yourself who’ve engaged in the sport — essentially fans of the sport — and long may that continue.

What are your thoughts on Fernando Alonso skipping out on Monaco to join the Indy500?

DC: Well it’s a bit of a good news story I guess in terms of how it is something different and not something people expected. At the end of the day though it’s born out of the difficulties that McLaren have right now. If they were competitive we’d never be on the cards. But they’re not. Therefore, it does throw up an opportunity — a good news story in that respect and I’m sure Zac Brown is using it also as an opportunity to engage with American partners who, previously, maybe wouldn’t have looked at Formula 1 and they may see that Fernando comes with the whole global media audience that wouldn’t be there otherwise. So there’s a lot of good business reasons to do it, sporting reasons to do it, brings Jensen back into play, gives him one sort of final opportunity to check whether he’s missing Formula 1. In the end, people are talking about it so that’s good for the sport generally.

You’ve got a lot of fans, what’s the craziest thing a fan as ever done for you?

DC: Ask me to sign her knickers probably was the rather craziest thing! (Laughs)

Met Gala 2017: Best accessories from Chopard, Tiffany & Co. and more

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The Met Gala is one event on the social calendar that blows up our newsfeeds, highlighting look after look from some of the fashion’s elite. 2017 was no different, though we missed a few mainstays who never fail to wow us with their looks. While we were unable to marvel at the wonders that are Lady Gaga and Beyoncé this year, the line-up was anything but disappointing.

While some, like Rihanna, were able to channel the theme of the night that was based on the Rei Kawakubo/Comme des Garçons exhibition, others chose to go down the road that has been travelled often. L’Officiel has selected a list of the best dressed but as we all know, the devil is all in the details. From Tiffany & Co. to Chopard, take a look at the standout accessories that made its debut on the red carpet.

Art inspired by science: Vietnamese artist Lai Dieu Ha pushes the limits and bridges cultures

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Lai Dieu Ha, 'Guidelines 5', 2015, pork rind, metallic thread
Lai Dieu Ha, ‘Guidelines 5’, 2015, pork rind, metallic thread

Categories, limits and boundaries are necessary tools for us to make sense of the world. But then we tend to forget that these are man-made instruments in a temporary working framework, and we start taking them as truths. We run into trouble when a single system is taken as the only valid one, and we become incapable of switching to different modes of thinking.

Once again, artists are the ones called upon to restore a sense of plurality. In her work, Hanoi artist Lai Dieu Ha continuously challenges the concept of separateness in her multidisciplinary practice. To her, the role of artists is precisely to bridge cultures and bring people together.

Ha was born into a household of artists in the late 1970s, at a time when labour and production were central to Vietnam’s narrative. She says, “Art was always part of my childhood. I remember struggling to draw everything I saw. I’d draw beards on the faces of former Soviet leaders like Mikhail Gorbachev or Lenin in my father’s magazines.”

When she was 17, she read an article about a “weird woman” (so described by the media) who broadcast her plastic surgery live. This was the controversial French artist Orlan, who famously used her own body as a tool for a series of “performance-surgeries” known as ‘The Reincarnation of Saint-Orlan’. “There was something there which caught my attention,” remembers Ha. “Although I was very young back then, I immediately identified the gesture as art and it stuck with me. I still think Orlan forced her way to a new level of challenging herself and the public.”

Lai Dieu Ha, 'Biological Pattern illustrations', 2015, hemp fabric, metallic embroidery thread
Lai Dieu Ha, ‘Biological Pattern illustrations’, 2015, hemp fabric, metallic embroidery thread

Not surprisingly, after graduating from Hanoi Fine Arts University in 2005 and learning the history of performance art from Swedish curator Christofer Fredriksson, Ha started performing herself. “I also started learning about psychology, psychopathology, sociology,” she adds. In the period between 2005 and 2012, she applied the concepts of these diverse disciplines in extreme and obsessive performances, where the public was as much a part of the work as the artist herself.

Her 2010 performance ‘Fly Off’ was extremely controversial in Vietnam and beyond. In the hour-long performance, Ha, naked with blue feathers glued to her body, applied hot irons to a mass of fresh pig bladders. She then rubbed them all over her bare face, arms and legs and pressed the irons to her own arms until the skin blistered.

“Between 2008 and 2010, the Internet started booming in Vietnam,” says the artist looking back on the episode. “In ‘Fly Off’, I wanted to represent the advent of a more complex society, where the many different narratives could no longer be hidden. In the work, I tried to personally be a voice for a change towards freedom.” While expressed in a very personal way, the performance voiced the concern of the wider community. “The work was the first step of a series of works regarding gender, sex and freedom of speech. It was about the control of the government, cultural censorship and general scepticism,” she notes.

Lai Dieu Ha, 'Landscaping Map 2', 2015, pork rinds, thread, bead, hemp fabric
Lai Dieu Ha, ‘Landscaping Map 2’, 2015, pork rinds, thread, bead, hemp fabric

In Ha’s oeuvre, female identity and sexuality are very strongly expressed. She says, “I feel that the situation regarding gender issues, especially in Vietnam, is unacceptable. These themes are still considered sensitive even in the cultural arena.”

From 2012 to 2016, she veered away from the most extreme form of performance art and started experimenting across a variety of mediums, from painting to installation to video. Psychological blurriness became the focal point of her artistic exploration, culminating in the series ‘Mind, Flesh, Matter’, exhibited at Sàn Art, an artist-initiated, non-profit contemporary art organisation, in 2014. In background research conducted with doctors and patients, she used the methods of psychodrama to understand if suffering is determined by human genetics or social circumstances.

Her latest series of work, recently showcased at CUC Gallery’s booth at Art Stage Singapore 2017, was just as strong. Pieces of pork skin, a staple of the Vietnamese diet, were delicately embroidered with beads and thread and trapped by metal wires. In this unlikely association with the fashion world, we begin to see food not simply as an alimentary item for quick consumption, but also as a delicate and fragile ornament to be decorated. Once part of a living animal, pork rind has become an inanimate object.

Lai Dieu Ha, 'Guidelines 4', 2015, pork rind, coloured thread
Lai Dieu Ha, ‘Guidelines 4’, 2015, pork rind, coloured thread

Science is again the point of departure for her aesthetic exploration. The series was in fact inspired by Ha’s observation of a microorganism called hydra oligactis, belonging to an almost invisible world and yet at the base of every living thing. In Ha’s mind, the hydra has come to be identified with freedom, for its characteristics of asexuality, regenerative ability and openness to change. Already the subject of a previous performance ‘Clinging Hybrid’, at the Goethe Institute in 2012, it was the inspiration for her latest solo ‘Conservation of Vitality’ at CUC Gallery.

Lai Dieu Ha, 'Collecting skins — kungfu by time', 2015, Polyester chiffon fabric, dried garlic skin, B40 steel net
Lai Dieu Ha, ‘Collecting skins — kungfu by time’, 2015, Polyester chiffon fabric, dried garlic skin, B40 steel net

In her current artistic enquiry, the artist is returning to experimentation with psychodrama therapy and performance art. Indeed, this is a continuation of her exposing the flimsiness and fictional nature of categories. “We understand that the world, generated from chaos, has an overarching order. We obviously still have a limited knowledge of the universe, so the only thing we can do is to listen, connect and love,” she observes. “Everything is indeed the reflection of its opposite: male and female; yin and yang; day and night. To love other people in all their complexity and contradictions is the physical expression that opposites can coexist.”

This article was written by Naima Morelli and originally published in Art Republik.

Hotels in Bahrain: Review of Ritz-Carlton’s luxurious 5-star resort in the Middle East

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The Ritz-Carlton, Bahrain

I arrived in Bahrain a little after nine in the evening, after two connecting flights, I was looking forward to a warm shower and a comfy bed. My driver effortlessly handled my luggage and ushered me into a gleaming white Rolls-Royce Ghost. Exchanging pleasantries, he asked all the usual questions how long my flight was, where I was from, but there was one question that left me slightly baffled. He asked if I liked white, milk or dark chocolate, I told him my preference, he offered me the onboard wifi and off we went to the hotel.

Rolls-Royce Ghost

At the hotel, I was promptly whisked upstairs to the executive floor where I was warmly greeted and given my room key. Upon arriving in my room I was delighted to find a tray of chocolates exactly as I had described earlier with a personalise welcome note and a massive ‘Welcome to Bahrain’ sign sprawled across the shutters. The next morning at breakfast, after being greeted by name by everyone from the waitress to the chef that prepared my breakfast, I decided to go for a walk around the property. Walking around in the desert heat, I was struck by the sheer scale of the property — from the private marina where you can charter a yacht to go dolphin (yes, dolphin!) watching to the lagoon that connects one end of the property to the other to the private villas with a stunning sea view — this was a massive property. Yet wherever I seemed to go there was always someone ready to assist or ask how my day was or simply stop watering the plants, smile and nod. Speaking of the plants, the hotel had sourced almost every type of tree and shrub from South America. There were even beautiful pink, Chilean flamingoes in the middle of a well-curated pond that allowed for alfresco seating with a direct view of the birds. When I asked one of the managers why flamingoes they simply quipped, “Well it’s Bahrain, everything is possible!”

Being an enthusiastic gourmand, I had to try the restaurants at the hotel. Seeing as there are eleven restaurants that cater for everything from Mexican cuisine to Indian and Italian cuisine and I had a two-day stay, I decided to meet with Executive Chef, Christian Knerr to get his view on the top three. I narrowed it down to Primavera (Italian), also because I had heard so much about it even before my stay, Cantina Kahlo (Mexican) and Nirvana (Indian) — the latter Chef Knerr pointed out would be his top choice for a Michelin assessment.

First up, Primavera, where Chef Alfonso Ferraioli and his Italian crew greeted me as if I was in a traditional Neapolitan restaurant. The warmth and genuine desire to make your dining experience unforgettable clearly resonated in the smiles of each and everyone at the restaurant. Then there was the eight-course sampling menu of what can only be described as deliciously unpretentious Italian heaven. From the ricotta ravioli (which he learnt from his mother) to the scrumptious fried pizza with a simple but rich tomato sauce and a sprinkling of fresh Parmigiano and the perfectly done steak I thoroughly enjoyed every bite. Chef Alfonso’s cuisine is like that girl you met in South Italy one summer, she may not have been clad in designer heels or an haute couture dress but she had a brilliant smile, honesty in her eyes and you know mama would just love her.

The indoor pool

After lunch, I took a long walk along the beach to explore the old forts that offered breathtaking views of the Arabian Gulf. To burn off some of the million calories I had inherited, courtesy of Chef Alfonso, I hit the gym and went for a swim in the indoor swimming pool. Did I mention that the hotel has three pools, two outdoor pools, that feel like it is refrigerated to help you cool down after a long walk in the desert heat and an indoor heated pool, perfect for after the gym. Before I knew it, the sun had set and I felt peckish, ready to take on an Indian institution run by Chef Mahipal Singh. Again, and this time somewhat unsurprisingly, the team were all from India. Dinner was fit for a maharaja, with various kebabs, butter chicken, naan bread (an Indian staple), biryani rice and fish curry from Kerala. What I really liked about this restaurant was that it had influences from all over India as opposed to just a single state.

The next morning after a light but fulfilling breakfast I went for a swim in the main pool before stopping by Cantina Kahlo for what was to be an authentic Mexican lunch carefully crafted by the gifted hands of Chef Cesar de Leon Torres. Having driven around almost all of Mexico in my travels, I have to admit that my expectations were pretty high for the “authentic” component of this experience. Walking in, however, I was surprised to find that everyone in the team was Mexican. We swapped stories about my time in Mexico and they gave me some travel tips for my upcoming trip to Tulum. There was a real Mexican vibe to the place and food, it was genuinely authentic. We started off with guacamole (obviously!), and soon the table was full with everything from flautas, to ensaladas, tortas and a sampling board of Parrillada Kahlo which is grilled meat — Mexican style. A couple of margarita’s later, I found myself feasting on the most delicious churros I have had anywhere outside of Mexico. They were fried to perfection and paired with a scrumptious homemade dipping sauce of condensed milk. To top off the fantastic experience, the staff provided me with a series of handwritten suggestions ingeniously placed in a wine bottle, which they insisted I had to break to discover. This was truly one of the most thoughtful gifts I had received throughout my travels.

I spent the rest of the afternoon, in the peace and tranquillity of the executive lounge catching up on some reading. As the sun sets, I looked out the window of the seventh floor, sipping a glass of champagne, taking in the beauty of a Bahraini sunset. In a world where so many luxury hotels pride themselves on mood lighting, vibrating armchairs and how many shower jets they have in their bathroom, it is refreshing to find a hotel that prides itself on a core quality of hospitality — ‘sincere service’.

On the morning of my checkout, I decided to cross the lagoon that connected both sides of the property the proper way. Wading through the middle of the lagoon, the expanse of the Arabian Gulf in front of me, I had an epiphany, The Ritz-Carlton, Bahrain isn’t merely a place to stay — it is what I would call home.

Real estate in Sydney, Australia: Atlassian co-founder Scott Farquhar buys Sydney waterfront mansion for $56 million

A view of ‘Elaine’, a seven-bedroom Victorian mansion.

Tech billionaire Scott Farquhar has bought a Sydney waterfront mansion for a record AUD$75 million (US$56 million), after the owners resisted selling the 1863-built home to developers. The co-founder of Australian software giant Atlassian, which floated in the United States in late 2015, snapped up the iconic “Elaine” from John Brehmer Fairfax, whose family formerly owned the Sydney Morning Herald.

The sprawling estate stretches down to a harbour beach in Sydney’s prestigious Point Piper. It had been in the Fairfax family since 1891 when it was bought for 2,100 pounds. It features include horse stables, a tennis court and a ballroom. Fairfax reportedly resisted larger offers from developers to subdivide the land.

“We’re thrilled with the purchase and honoured to take over the Elaine estate in its entirety from the Fairfax family,” Farquhar, 37, told Fairfax Media. “It would have been a great loss to see this rare property sold to developers and carved up. When we heard of the plans, we just couldn’t let this beautiful piece of Australian history be turned into a development site.”

The price tag set a record for residential property in Australia, the Australian Financial Review said. It topped the previous AUD$70 million in 2015 when mogul James Packer, who runs worldwide gambling empire Crown, sold his Sydney home to Australian-Chinese billionaire businessman Chau Chak Wing.

IWC watches from SIHH 2017: IWC Da Vinci Tourbillon Rétrograde Chronograph joins the Da Vinci collection

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The IWC Da Vinci Tourbillon Rétrograde Chronograph comes in a red gold case
The IWC Da Vinci Tourbillon Rétrograde Chronograph comes in a red gold case

IWC’s Da Vinci collection has undergone yet another major revamp, with a return this year to the round case shape that it sported in the 1980s. The updated collection is skewed heavily towards a female audience, with a design-centric approach that captures the spirit of the original round Da Vinci watches, while keeping them relevant in the 21st century.

The Da Vinci Tourbillon Rétrograde Chronograph is the flagship of the new collection and shares a set of refreshed design cues with its siblings. Note the round double stepped case that anchors the entire collection, which comes complete with articulating lugs like the original. In lieu of a single lug piece at each side of the case, however, the watch’s lugs are now two distinct pieces; ergonomics haven’t necessarily been improved, since the new lugs are connected by the spring bar and move in tandem, but the updated design looks far more contemporary. In the same vein of things, the old stick indexes have been replaced with Arabic numerals for a decidedly more contemporary dial.

On the technical front, the watch is equipped with Calibre 89900, the newest member of the 89000 chronograph movement family. This flyback chronograph combines its minute and hour totalisers into a single sub-dial at 12 o’clock, so elapsed time can be read like a normal clock. This also frees up space for a retrograde calendar at nine o’clock and a flying tourbillon at six o‘clock.

Despite adding a retrograde date and a tourbillon to its base calibre, the IWC Da Vinci Tourbillon Rétrograde Chronograph has a remarkable 68-hour power reserve
Despite adding a retrograde date and a tourbillon to its base calibre, the IWC Da Vinci Tourbillon Rétrograde Chronograph has a remarkable 68-hour power reserve

The flying tourbillon here is of particular interest, as several technical advancements have been implemented here. For a start, it contains two levers that grip the balance when the crown is pulled out this stops the entire gear train, essentially allowing time to be set down to the second, just like a regular movement with hacking seconds. The escape wheel and pallet fork have also been manufactured using technology that is new to IWC; in lieu of steel, these components are now made in silicon with a coating of diamond (i.e. carbon) applied via chemical vapour deposition. The diamond coating imparts extra stiffness, so the components can be skeletonised to reduce their weight even further. According to Walter Volpers, associate director of product development at IWC, the switch to silicon and the new skeletonised structures account for an estimated 15 to 20 per cent improvement in the movement’s energy efficiency thanks to weight savings. The final result is a movement that retains a respectable 68-hour power reserve despite the addition of a retrograde date and a tourbillon to its base calibre.

Specifications

Movement Self-winding IWC 89900 calibre
Power Reserve 68-hour
Case 44-millimetre red gold
Water Resistance Up to 30 metres
Strap Dark brown Santoni alligator leather with red gold deployant buckle
Price SGD 156,000

This article was originally published in WOW.

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